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济南市工商联第十六次代表大会开幕 刘强王随莲讲话 杨峰出席_我的网站

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济南市工商联第十六次代表大会开幕 刘强王随莲讲话 杨峰出席_我的网站

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A still from the movie Once Upon a Time in the Middle East starring Shen Teng  Photo: IC
    A still from the movie Once Upon a Time in the Middle East starring Shen Teng Photo: ICYears after tackling social issues in the breakout hit film Dying to Survive, Chinese director Wen Muye returns with Once Upon a Time in the Middle East. The film opened nationwide in China on Tuesday, and, including advanced screenings, crossed 200 million yuan ($29.6 million) at the box office on its first day. 
It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children. 
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals." 
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif. 
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family." 
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences. 
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark." 
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives. 
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said. 
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices." 
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan. 
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan. 
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。            本报8月25日讯 今天,济南市工商联第十六次代表大会开幕。

B | 大会总结过去五年的工作,谋划和部署今后五年的目标任务,选举新一届市工商联执委会。济南市工商联第十六次代表大会开幕 刘强王随莲讲话 杨峰出席        市委书记刘强,省人大常委会副主任、省工商联主席王随莲出席并讲话,市委副书记杨峰,市领导陈阳、张勇强、杨光忠、刘霞出席,杨丽主持。       刘强代表市委、市人民政府,向大会召开表示祝贺。他说,市工商联第十五次代表大会以来,全市各级工商联组织坚持以习近平新时代中国特色社会主义思想为指导,紧扣“两个健康”主题,围绕中心大局、聚焦主责主业,在思想政治引领、服务经济发展、积极参政议政、深化商会改革等方面作了大量工作,在全市政治、经济和社会生活中发挥了重要作用。广大民营企业、民营经济人士积极投身强省会建设大局,用实际行动诠释了家国情怀和责任担当。

C | 奋进“十五五”新征程,要强化政治引领,把牢干事创业正确方向,以实际行动坚定拥护“两个确立”、坚决做到“两个维护”。要围绕中心大局,助力民营经济健康发展、高质量发展,不断增强民营经济发展活力。要增强服务效能,进一步创优民营经济发展环境,让广大民营经济人士切实感受到党和政府的温暖。要深化改革创新,不断提高自身建设水平,真正把工商联建成党组织靠得住的“坚强阵地”、企业家信得过的“温暖之家”。       王随莲代表省工商联、省总商会,向大会的召开表示祝贺,希望广大民营经济人士在筑牢共同思想政治基础上作表率,在推动民营经济高质量发展上当先锋,在提升现代化治理水平上走在前,在以产业富民促进共同富裕上立新功。希望济南市工商联以换届为契机,全面加强自身建设,在夯实基层基础、打造过硬代表人士队伍、提升干部素质能力上下功夫,接续创造新业绩、书写新篇章。       市政协副主席、九三学社济南市委会主委刘霞代表市级各民主党派致贺词。副市长,市工商联主席、济南总商会会长杨丽代表济南市工商业联合会(总商会)第十五届执委会作工作报告。

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